Coming from a small town in Himachal Pradesh, Aditya has faced unique challenges on his journey. Yet, rather than allowing others’ narrow perceptions to hold him back, he’s transformed them into fuel for his creative fire. Through his performances, he not only celebrates classical and semi-classical dance but also redefines what it means to be a male dancer in India. Inspired by icons like Madhuri Dixit and Saroj Khan, he has carved a path rooted in authenticity and passion, proving that real art knows no boundaries.
In this interview, Aditya opens up about his journey into dance, the struggles and triumphs that have shaped him, and his unshakeable commitment to his craft. His story isn’t just one of personal triumph; it’s a powerful reminder that true artistry has the power to break stereotypes and inspire others to follow their unique paths, no matter the odds.
What inspired you to take up classical dance, and how did your journey into this art form begin? Who is your idol or role model in this field?
Answer: My journey into dance began with a deep admiration for Madhuri Dixit Ma’am, whose semi-classical performances inspired me to start dancing. Coming from a family without any background in the arts—especially in dance or music—I initially didn’t have a path laid out for me in this field. But the beauty and emotion in Madhuri Ma’am’s dances drew me in, and in 2020, I began formal training in dance. Although I’m currently learning Kathak, a classical style that requires years of practice and patience, I primarily perform semi-classical dances.
Initially, my parents saw my interest in dance as a hobby, something I enjoyed on the side. However, as my passion deepened and I began considering dance as a potential career, they grew concerned. The unpredictability of the profession and the challenges artists often face made them worry about my future. Yet, over time, they saw how deeply committed I was, and their perspective shifted. Now, they fully support me, just as they have with everything I’ve done, and their encouragement means the world to me.
As I learned more about Madhuri Ma’am, I discovered her mentor, Master Saroj Khan Ji, and exploring her work was a turning point. Saroj Ji wasn’t a classically trained dancer, but her depth, storytelling, and unique style surpassed boundaries and truly resonated with me. Her choreography became my guide, inspiring me to carry her legacy forward. I might not have met her in person, but through her dances, I feel her presence and her influence in my life.
Whenever I feel low, watching Saroj Ji’s choreographies uplifts me. She, along with Madhuri Ma’am and Vyjayantimala Ma’am, has shaped my journey—not just as dancers but as role models. I admire them deeply for their artistry and grace, both on stage and as human beings.
Coming from a small town in Himachal Pradesh, what challenges did you face in pursuing classical dance, and how did you overcome them?
Answer: Coming from Kullu, a small town in Himachal Pradesh, my journey into classical dance has been shaped by challenges that have only strengthened my passion and determination. Growing up in a place with limited exposure to classical forms like Kathak, finding quality training was one of the biggest hurdles. Without access to established dance teachers or academies, I had to rely on online resources and rare workshops, knowing they could only take me so far. But I refused to let these limitations define my path.
In addition to logistical challenges, I faced societal resistance. In a small, traditional town like Kullu, pursuing a career in dance—especially as a male dancer—doesn’t fit the norm. Many people here hold conservative beliefs, and a boy performing classical and semi-classical dance is often met with judgment. My relatives, along with society at large, struggled to understand my choice, questioning the practicality and worth of my path. But I embraced these doubts and criticisms as fuel, letting them push me to prove that my art could break through these narrow expectations.
Even within my family, acceptance took time. At first, my parents saw my interest in dance as just a hobby, something I might outgrow. They were naturally concerned about the risks of choosing dance as a career, but as my commitment grew, they saw that this was more than a passing interest—it was the essence of who I am. Today, they stand beside me, and that support has been a turning point, giving me the strength to move forward despite the resistance.
My biggest inspiration has come from artists like Madhuri Dixit Ma’am and, most of all, my guru in spirit, Master Saroj Khan Ji. Her ability to break boundaries, her expressive power, and the way she shattered stereotypes through her dance have become my guiding light. I might not have met her, but her legacy lives on in every step I take. In moments of doubt, I turn to her choreographies, which remind me of the greatness that dance can achieve.
Every challenge, every skeptical look, and every orthodox expectation has strengthened my resolve to break gender norms and bring classical and semi-classical dance to new spaces. Through each performance, I aim to prove that art knows no boundaries and that a true artist’s voice can’t be silenced by stereotypes. I dance to honor the legacy of Saroj Khan Ji and to show that neither background nor societal expectation can hold back a passionate heart.
How do you feel about breaking societal stereotypes, especially as a male classical dancer, and what message do you wish to convey through your art?
Answer: Breaking societal stereotypes as a male dancer is deeply personal to me. Dance has long been entangled in perceptions about who “should” be performing it, but I want to redefine that narrative and show that art should never be bound by gender. Dance isn’t about conforming to expectations—it’s about connecting with something larger than ourselves, sharing stories, and experiencing freedom in movement. Through my art, I want to challenge rigid norms and prove that dance is a universal language, open to anyone who dares to step into it.
Among the things I hold close to my heart, one has been on my bucket list for years: dancing in a skirt on a busy road, surrounded by people. It took immense courage to break away from what society would see as “normal,” but once I took that first step, the world around me faded. All I could hear was the rhythm of “Jhumka Gira Re,” and my feet instinctively fell in sync with the beat. This dance, which I performed on Shimla’s bustling Mall Road, wasn’t just a performance—it was a powerful moment of liberation. It was my way of saying that I am here, I am dancing, and no one’s expectations can limit that joy.
Society often places labels and restrictions on how a male dancer should perform, or even if he should dance at all. But with every performance, I’m sending a message: art has no gender. Dance is an expression that should be free from stereotypes. I hope to inspire others to embrace themselves fully, to break away from conventions, and to find their own freedom in expression. When we stop restricting art, we create a space where everyone, regardless of gender, can celebrate their truest selves. Through my dance, I want to show that art is a realm where individuality flourishes, where boundaries dissolve, and where authenticity is the only expectation.
What are your hobbies apart from dancing?
Answer: Apart from dancing, I immerse myself in painting, journaling, and letter writing—ways to channel my thoughts and emotions. I also love cooking, experimenting with flavors, and crafting to create something unique. Physical exercise keeps me energized and grounded, while nightly diary entries let me reflect and capture each day. These hobbies fuel my creativity and passion for life.
How has your family and community reacted to your passion for dance? Were they supportive from the beginning, or did you have to convince them?
Answer: My journey into dance has been a tapestry woven with both support and challenge from my family and community. I remember vividly the pivotal moment in 11th grade when I transferred to a new school. In my previous environment, my passion for dance was stifled; there was no encouragement, no space to express myself. But when I arrived at my new school, I seized an opportunity that would change everything. I approached my teacher about an upcoming major dance competition in Kullu, boldly offering to teach the girls semi-classical dances. To my surprise, he believed in me and supported my initiative.
Encouraged by my teacher and my sister, who recognized the significance of a boy stepping into the realm of semi-classical dance, I embraced my calling. My family has been supportive from the start, yet their concern grew as societal expectations weighed heavily on them. Pursuing a dance career, especially as a male dancer, is fraught with challenges in a conservative community like mine. While my parents initially worried about how society would perceive me, they eventually rallied behind my passion.
I’ve learned that societal opinions can be unpredictable and often critical. People will scrutinize my choices whether I succeed or struggle. However, I’ve chosen to rise above the noise. My mantra is clear: I focus on my passion and my growth. With the unwavering support of my family and teacher, I’m determined to push boundaries and challenge deeply entrenched norms. I believe that through my dedication and success, I can pave the way for a broader acceptance of diverse expressions in art. My dance is not just for me; it’s a statement that art knows no gender, and I am here to break barriers and redefine what is possible.
You have faced trolling on social media.How do you deal with it?
Answer: Facing social media trolling has been a fierce test of my strength and resilience. In today’s world, where anyone can hide behind a screen, tearing down others has become a trend—an easy path for those who lack the courage or understanding to create something of their own. And when people throw hate at me, especially those who cling to rigid, orthodox views, it cuts deep. They fail to see the beauty, passion, and dedication I pour into my art, dismissing it with a few careless words.
But I’ve learned that true art isn’t for the faint of heart. It’s meant to challenge, provoke, and stir emotions. I remind myself daily that every artist who has ever broken boundaries faced resistance—and I’m no exception. Each hateful comment only fuels my determination to rise above and push forward with even greater force.
I refuse to let ignorance shape my path. I am here to honor the legacy of my guru, Master Saroj Khan, and to carry her spirit forward by breaking stereotypes and inspiring others. My journey is a declaration that art transcends boundaries, gender, and societal expectations. I’ll keep dancing boldly, standing firm in the face of criticism, and proving that my passion is unshakeable. For every person who doubts, I am here to remind them: my art is unstoppable, and my journey has only just begun.
What role does dance play in your life beyond performance?
Answer: Dance isn’t just a part of my life—it is my life. It’s woven into my soul, the language I speak, the rhythm that carries me through every single day. When I’m low, when life feels heavy, when I’m sick in bed, I’m still dancing. Even if I can’t move, I’m dancing in my mind, feeling each beat, each step echo within me.
My mother often worries and says, “How long will you keep dancing? One day age will catch up, and then what?” But to me, dance isn’t something that time can take away. It’s not just a physical act—it’s the fire that burns within me. It’s a heartbeat that doesn’t stop, a force that refuses to be silenced, no matter what.
You can’t pull me away from it, because dance isn’t just something I do—it’s who I am. It’s my sanctuary, my courage, my release, my expression, and my freedom.
Dance is life itself to me, limitless and eternal, existing far beyond any stage or applause. It’s my purpose, my devotion, and the truest form of my soul, and nothing
—not time, not challenges, not even myself—can take it away.
Can you share a memorable performance experience that had a profound impact on you or your audience?
Answer: One of the most memorable performances that left a lasting impact on me and my audience was back when I was in 11th grade. We were performing in a major competition, and when we won first prize, it was an electrifying moment. I was
overwhelmed with pride, happiness, and the feeling that all the effort had paid off. My family and friends were there, sharing in the joy—it was exhilarating.
But it was the following year, in 12th grade, that I had an experience I’ll never forget. I was performing, completely immersed in the dance, when suddenly the pearl chain I was wearing broke, and the pearls scattered across the stage. Instead of feeling thrown off, it actually heightened the moment. It was as if the stage had transformed, with pearls shimmering everywhere as I continued, unfazed. The audience was captivated, and I could feel their energy matching mine. That performance became iconic in my hometown, Kullu.
To this day, when I’m walking through the markets in Kullu, people recognize me from that moment, saying things like, “Oh, you’re the one who performed in that red dress!” It’s surreal and humbling. Knowing that I could leave such an impression, that people remember and connect with my art—that is the best reward of all.
As an artist, how do you balance preserving traditional classical dance forms while also making them relevant for modern audiences?
Answer: As an artist, I believe that preserving the essence of traditional dance forms and making them relevant for today’s audiences is a delicate, dynamic balance. My approach is to stay deeply rooted in the foundations of classical dance, honoring the techniques, expressions, and storytelling that have been passed down through generations. This foundation gives my work authenticity and depth—qualities that are essential in classical dance.
However, I also recognize that today’s audiences connect with art in new ways. To bridge that gap, I sometimes blend classical elements with semi-classical and contemporary forms, adapting my performances to resonate with modern sensibilities while staying true to the original spirit. I experiment with music choices, costume design, and even locations for my performances, like my dance at the bustling Mall Road in Shimla, to create an experience that feels both timeless and fresh.
For me, it’s about creating a conversation between tradition and innovation, showing that classical dance isn’t frozen in the past but rather evolving, alive, and capable of speaking to anyone, regardless of time or place. This way, I hope to keep these art forms both respected and relevant, opening doors for others to see their beauty and richness in new light.
What advice would you give to young dancers, especially those from smaller towns, who aspire to follow unconventional career paths?
Answer: To young dancers, especially those from smaller towns with big dreams, my advice is simple but powerful: don’t let your environment limit your vision. Embrace where you come from, because it gives you a unique strength and story, but don’t let it define the boundaries of what you can achieve. An unconventional path may seem
intimidating, especially in places where society holds traditional expectations, but remember that every great artist once faced the same challenges.
Believe deeply in your art. Dedication and hard work are your strongest allies, so train consistently, push yourself, and be resilient. Don’t be afraid to stand out or challenge norms—let your passion be your guiding force. There will always be people who doubt or criticize, but don’t let their voices drown out your own.
Surround yourself with mentors and supporters, and if you can’t find them nearby, seek them out online, watch videos, learn from the greats—because inspiration knows no boundaries. And most importantly, stay true to yourself. Following an unconventional path may mean you’re breaking new ground, and that’s no easy task, but it’s one of the most fulfilling journeys you can take.
What are your future goals as a dancer and artist? Do you see yourself expanding your artistic expressions in new directions?
Answer: As a dancer and artist, my future goals revolve around pushing boundaries and deepening my connection with my art. I want to refine my skills in classical and semi-classical dance, embracing new techniques and nuances to truly master the expressive power of movement. I’m passionate about carrying forward the legacy of my Guru, Master Saroj Khan, and making her style and storytelling resonate with new audiences, especially those who may not yet fully appreciate the richness of Indian dance forms.
A significant dream of mine is to work with Sanjay Leela Bhansali. His visionary approach to storytelling and dance deeply inspires me, and I aspire to collaborate with him one day. I envision promoting Master Saroj Khan’s dance legacy through his films, blending her artistry with his grand narratives.
I also want to delve into choreography and storytelling more intensely, crafting performances that not only entertain but also inspire and provoke thought. Beyond dance, I see myself expanding into other forms of artistic expression—whether it’s filmmaking, incorporating painting into my performances, or exploring digital mediums to bring my art to life in unexpected ways. I aim to bring my background, my culture, and my unique perspective from a small town to the world stage, bridging tradition and modernity in innovative ways.
Ultimately, my goal is to create art that breaks barriers, defies stereotypes, and inspires others, especially those who dream of an unconventional path. I want my journey to reflect that art has no boundaries and that creativity, when it comes from a place of truth, can touch hearts across any divide.
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